Global device launches, hero films and vertical campaign variants.
REDACTED00.00 Dubai Production Studio
One studio Every register
Ad films, corporate and brand content. We shoot a private villa, a four-thousand-seat graduation and an industrial plant to the same standard — and that range is the point.
Showreel 2026
01.00
What we
actually are
A founder-led studio that treats range as a discipline rather than a compromise.
Most studios specialise, because holding range at a consistent standard is hard. A property film, a live graduation and a product campaign each ask for a different crew posture, a different lens language, a different edit rhythm. Doing all three well is a systems problem before it's a talent problem.
Double Decimal Productions is built around solving it once. One team, one grade, one set of standards, applied across categories that usually sit in separate agencies. It's why a developer, a university and a footwear brand can each brief us and get work that looks like it came from people who understood their world.
The studio began in India and now works out of Dubai as Double Decimal Films LLC. The work travels — UAE, India, and wherever the brief goes.
04.00
How we
do things
We ask a lot of questions
Before format, before budget, before a single reference board. What the brand actually stands for, where it's strong, where it isn't, and what the work has to achieve once it's out in the world. The concept comes after that, not before.
The shoot day is execution, not discovery
Venue, permits, looks, outfits, music, dialogue, script, references, props, shot list, lighting — locked before anyone picks up a camera. We rehearse the shots we haven't done before. Nothing gets figured out on the day, because the day is the most expensive place to figure anything out.
A crew of five, with defined roles
In-house rather than assembled per project, and scaled to what the job needs. Our work on the day is to direct — camera, talent, presenter — and to keep the whole thing moving.
The person who shot it briefs the person who cuts it
The cinematographer sits with the editor and walks them through what each frame was captured for, then the team works the edit together. Most studios hand over a drive. Intent doesn't survive a drive.
Two rounds included, 10–30 days
Two revision rounds at no additional cost, built into every project. Turnaround depends on scope but has consistently run ten to thirty days from shoot.
05.00
Who we’ve
had on set
Directing talent is its own discipline — a limited window, a publicist in the room, and one chance to get the performance. We’ve worked across film, sport and creator campaigns on both sides of the Gulf.
.01
Bollywood
actors
Brand films and portrait sessions directed with names from Hindi cinema, including a shoot with actor and acting coach Saurabh Sachdeva in Al Seef.
.02
International
athletes
Campaign work with capped international cricketers and a Grand Slam finalist — locker-room narrative, training-ground coverage and talent-led brand storytelling.
.03
Creators
& influencers
Creator-led product films and social campaigns, shot to platform spec — vertical hero cuts with the variants a rollout actually needs.
.04
Live events
& shows
Multi-camera coverage of concerts and stage productions headlining India’s leading artists and performers, alongside major production teams.
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Work we
can’t show
Some of the studio’s strongest commercial work lives behind NDAs, launch embargoes and private-client agreements.
The names stay off the website. The experience does not. If your brief is relevant, we can walk you through selected categories privately.
Request a private viewing →Broadcast campaigns, athlete stories and sports nutrition work.
REDACTEDCollection films, retail campaigns, activations and branded content.
REDACTEDIndustrial, engineering and private corporate film suites.
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Tell us what
it has to do
Latest from the studio
Work in progress, set days and finished frames — posted as they happen.






